ARTHUR Miller’s 1953 play, “The Crucible”, dramatised the Salem Witch Trials in Massachusetts in the late 17th century and was written as a pointed allegory of the 1950s McCarthy Communist hearings in the US. Recent events in Indonesia come to mind, too, while watching this play, such is its power.
Rear, from left, Adam Salter, Paul Jackson, Elaine Noon, David Bennett, Duncan Driver and, front, Yvonne Webber. Photo by Helen Drum
The action of the play is focused in a small central playing area. The surrounding trees create a strangely claustrophobic effect that adds to the intense feelings displayed in the play.
The large cast all give very strong performances. In a carefully controlled performance, Duncan Ley as John Proctor is excellent. Lexi Sekuless gives a moving and very believable performance as his wife. Yanina Clifton as Mary Warren displays an impressive depth of feeling in her hysterical scenes and Mark Bunnett plays Judge Danforth with an iciness that is frighteningly effective.
Director, Jordan Best, has produced an absorbing version of the play. The addition of the group of hysterical women gives the play an added sense of the community affected by the events of the play and extra depth to the highly emotional scenes. The dialogue is paced very well. It’s so well done that I was untroubled by its four acts play with only one interval being quite long.
The director says in the program that this is a play about life and not about accents or costumes. However, the costumes from various periods and the different regional accents used by the cast created an unwelcome distraction.
This is a strong production of a play that still has the power to speak to today’s audiences.
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