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Portraits of sacrifice: ‘immersive, reflective’

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“ALL that fall: Sacrifice, life and loss in the First World War” is the latest show at the National Portrait Gallery, open to the public from today.

"Quick" reproduction 1918 Norman Lindsay. Govt of Australia, Melbourne courtesy of NLA

“Quick” reproduction 1918 Norman Lindsay. Govt of Australia, Melbourne courtesy of NLA

The exhibition creates a ‘portrait’ of mourning and sacrifice as experienced on the Australian home front during the First World War, bringing together a unique group of contemporary and historical works in a variety of media including video, photography, soundscape and installation.

Together the works are intended to create an immersive, reflective experience as we approach the commemoration of the Anzac Centenary.

Exhibition co-curator Dr Christopher Chapman said ‘The experience at home is often overshadowed by the death and brutality of the Anzac landing. All that fall evokes the longing, despair and silent sacrifice of those who were left behind.’

Works by artists Lee Grant, Lawrence English and Ellis Hutch, commissioned for the exhibition, provide a contemporary perspective on mourning and absence.

Video portraits made in collaboration with the actors and creators of the theatre production ‘Black Diggers’, bring to life the indignation of returned Aboriginal and Torres Strait Islander servicemen at the historical denial of their service and entitlements.

A book of essays has been compiled to accompany the exhibition, exploring themes of sacrifice and loss in very different modes. Essays by Melbourne academic Pat Jalland, moral philosopher Raimond Gaita, National Portrait Gallery Senior Curator, Dr Christopher Chapman, and exhibition curator Anne Sanders complement the ethos of the exhibition.

“All that fall: Sacrifice, life and loss in the First World War” at the National Portrait Gallery, until July 26.

The post Portraits of sacrifice: ‘immersive, reflective’ appeared first on Canberra CityNews.


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